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Boston studies in the philosophy of science

Spatio-Temporal Continuity, Quantum Theory and Music

Norbert Wiener

Published Jan 1, 1976• 9 citations
Publisher
DOI
10.1007/978-94-010-1727-5_76

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Grete Hermann’s essay “Die naturphilosophischen Grundlagen der Quantenmechanik” (1935) has received much deserved scholarly attention in recent years. In this paper, I follow the lead of Elise Crull (2017) who sees in Hermann’s work the general outlines of a neo-Kantian interpretation of quantum theory. In full support of this view, I focus on Hermann’s central claim that limited spatio-temporal, and even analogically causal, representations of events exist within an overall relational structure of entangled quantum mechanical states that defy any unified spatio-temporal description. In my view, Hermann also advances an important transcendental argument that perspectival spatio-temporal representations of nature have their foundations in general relational networks that are not spatio-temporal. The key point is that the adoption of a perspectival system within the general network induces the representation but only for that context. These ideas are consistent with a perspectival subject–object principle in Kant and also with Weyl’s work on Lie groups and their representations.
Abstract This article reports on a series of mathe-musical experiments based on the dynamic behavior of a musical quantum model of C-major tonality. The model reinterprets empirical pitch-class profiles of tonal attraction in C-major as the probability wave function of a one-dimensional stationary ground state within a perturbed quantum harmonic oscillator. By solving the associated time-dependent Schrödinger equation, we assign specific temporal evolutions to any given initial state. We explore two distinct sonification strategies: First, the time-evolutions of various initial states—in particular deflections of the ground state and higher excited states—are used to drive a stroboscopic stratification of musical hierarchies and to set them into Minimal Music-inspired travelling note patterns. Secondly, we implement rich continuous sound processes that rely on the uninterrupted flow of the wave function. Crucially, these approaches bypass the simulation of quantum measurements; instead, they leverage the full theoretical information of the wave function’s evolution.