Challenges
Datasets
Workspaces
Papers
Discussions
Leaderboard
Log inSign up
Challenges
Datasets
Workspaces
Papers
Discussions
Leaderboard
Blog
Job Board
Q3AS

© 2026 Aqora Quantum S.A.S.

TermsPrivacyLegal Notice

Sonification of many qubit systems

Juliette Tudoce

Published Feb 4, 2026• 0 citations
Publisher

Abstract

Quantum mechanics poses significant challenges for visual representation, particularly concerning quantum entanglement. In this work, we propose a sonification mapping for dynamical entanglement generation in many-qubit systems, with the help of phase space methods and entanglement measure. We study dynamics of entanglement generation in many-qubit system in dynamical protocol governed by two models: the one-axis twisting model, and a quantum kicked-rotor exhibiting both regular and quantum chaotic behavior. We present a procedure of entanglement dynamics sonification, allowing mapping the phase-space representation of a many-qubit quantum state and von Neuman entanglement entropy to sound. keywords: sonification, quantum entanglement, Quantum physics, quantum music

DOI
10.22501/rc.3801781

Related papers

Sonification of entanglement dynamics in many-qubit systems

Juliette Tudoce, Marcin Płodzień, Maciej Lewenstein +1 more

Abstract Quantum mechanics poses significant challenges for audio-visual representation, particularly in the context of quantum entanglement. Sonification—the auditory representation of data—offers a promising complementary approach to conventional visualization techniques. This paper investigates sonification methods applied to the dynamical generation of entanglement in many-qubit systems, combining phase-space representations with entanglement measures. We study the dynamics of entanglement generation in many-qubit systems under a dynamical protocol governed by two models: the one-axis twisting model and a quantum-kicked rotor exhibiting both regular and quantum chaotic behavior. We present a procedure of entanglement dynamics sonification, allowing mapping of the phase-space representation of a many-qubit quantum state and von Neumann entanglement entropy to sound. The methodology relies on the mapping of data features to amplitude, stereo spatialization, pitch, and timbral characteristics. Results illustrate how sonification translates entanglement dynamics into distinctive, model-specific sound textures, offering a route toward artistic and exploratory engagement with quantum correlations. Potential benefits for intuitive understanding remain to be tested.

arXiv:2505.11159•The European Physical Journal Special Topics•Aug 29, 2026•1 citation

Sonification of entanglement dynamics in many-qubit systems

Juliette Tudoce, Marcin Płodzień, Maciej Lewenstein +1 more

Quantum mechanics presents unique hurdles for audio-visual representation, especially in conveying quantum entanglement. Sonification—the translation of data into sound—provides a complementary channel to visualize these inherently abstract phenomena. In this study, we develop and test a sonification framework for tracking dynamical entanglement generation in multi-qubit systems.Using the Husimi-Q function as a phase-space representation alongside the von Neumann entanglement entropy, we map a quantum states structure, generated during the One-Axis Twisting protocol, onto auditory parameters such as pitch, timbre, and spatialization. Our method encodes the instantaneous phasespace distribution and entanglement entropy values into distinct sonic motifs, yielding a real-time acoustic portrayal of entanglement growth and decay.Listening tests and qualitative analyses reveal that sonification accentuates subtle transitions in entanglement dynamics—especially the onset of chaos—more intuitively than visual plots alone. Our approach offers an artistic medium to experience quantum correlations, fostering deeper engagement and insight.

•Jan 10, 2026•0 citations

Towards the Intuitive Understanding of Quantum World: Sonification of Rabi Oscillations, Wigner functions, and Quantum Simulators

Yamada, Reiko, Eloy Piñol, Samuele Grandi +2 more

Recently, there has been considerable interest in "sonifying" scientific data; however, sonifying quantum processes using the newest quantum technologies, including Noise Intermediate Scale Quantum devices and quantum random number generators, is still an emerging area of research.Music technologists and composers employ the growing accessibility to diverse data from quantum mechanics as musical tools in the hope of generating new sound expressions. How different is the quantum world from the classical one, and is it possible to express the quantum world using sounds? Quantum phenomena are very different from those that we experience in our everyday lives. Thus, it is challenging to understand them intuitively. In this paper, we propose sonification as a method toward an intuitive understanding of various quantum mechanical phenomena, from Rabi oscillations and resonance fluorescence of a single atom through the generation of Schrodinger cat states in strong laser field physics to insulator-superfluid transition in quantum many-body systems. This paper illustrates various methods we experimented with in sonification and score representations of quantum data depending on the source data and performance settings.

arXiv:2311.13313•Oct 5, 2023•2 citations

The Sound of Decoherence

Robson Christie, James W. Trayford

We explore an unconventional bridge between quantum mechanical density matrices and sound by mapping elements of the density matrix and their phases to auditory signals, thus introducing a framework for Open Quantum Sonification. Employing the eigenstates of the Hamiltonian operator as a basis, each quantum state contributes a frequency proportional to its energy level. The off-diagonal terms, which encode coherence and phase relationships between energy levels, are rendered as binaural signals presented separately to the left and right ears. We illustrate this method within the context of open quantum system dynamics governed by Lindblad equations, presenting first an example of quantum Brownian motion of a particle in a thermal bath, and second, a recoherence process induced by boundary driving that results in spin-helix states. This document serves as a companion to the corresponding audio visual simulations of these models available on the YouTube channel Open Quantum Sonification with the Python Codes on GitHub. The auditory analogy presented here provides an intuitive and experiential means of describing quantum phenomena such as tunnelling, thermalisation, decoherence, and recoherence.

arXiv:2412.17045•Dec 22, 2024•0 citations

Sonification of Quantum Algorithms with Spline Models of Timbre, Melody, and Rhythm

Matthew Klassen

In this paper we describe methods for mapping the information contained in a spline model of one cycle of an audio signal to the quantum information setting. We use this mapping to describe methods of sonification of quantum algorithms which use spline models to describe and generate timbre, melody, and rhythm. We show how a musical state vector given by n B-spline coefficients, which represent one cycle of a waveform, can produce these three musical elements simultaneously. We present two modes of correspondence between quantum and musical states. The first mode is derived from proposed signal processing of quantum audio, such as QPAM (Quantum Probability Amplitude Modulation), and the second mode is more abstract, modeling the evolution of musical states through unitary evolution of intermediate states in quantum algorithms. Musical states are initialized using approximate timbres derived from instrument sam- ples or synthesized timbres. Melodic contours are derived from spline models of these timbres, using continuous pitch and duration spaces. Musical examples are discussed, and larger compositional works are currently under development.

•Oct 28, 2025•1 citation

Sonification of Quantum Algorithms with Spline Models of Timbre, Melody, and Rhythm

Matt Klassen

In this paper we describe methods for mapping the information contained in a spline model of one cycle of an audio signal to the quantum information setting. We use this mapping to describe methods of sonification of quantum algorithms which use spline models to describe and generate timbre, melody, and rhythm. We show how a musical state vector given by n B-spline coefficients, which represent one cycle of a waveform, can produce these three musical elements simultaneously. We present two modes of correspondence between quantum and musical states. The first mode is derived from proposed signal processing of quantum audio, such as QPAM (Quantum Probability Amplitude Modulation), and the second mode works with superposition states achievable through quantum algorithms. Musical states are initialized using approximate timbres derived from instrument samples or synthesized timbres. Melodic contours are derived from spline models of these timbres, using continuous pitch and duration spaces. Musical examples are discussed, and larger compositional works are currently in production.

•Jan 10, 2026•1 citation
Quantum mechanics poses significant challenges for visual representation, particularly concerning quantum entanglement. In this work, we propose a sonification mapping for dynamical entanglement generation in many-qubit systems, with the help of phase space methods and entanglement measure. We study dynamics of entanglement generation in many-qubit system in dynamical protocol governed by two models: the one-axis twisting model, and a quantum kicked-rotor exhibiting both regular and quantum chaotic behavior. We present a procedure of entanglement dynamics sonification, allowing mapping the phase-space representation of a many-qubit quantum state and von Neuman entanglement entropy to sound. keywords: sonification, quantum entanglement, Quantum physics, quantum music
Abstract Quantum mechanics poses significant challenges for audio-visual representation, particularly in the context of quantum entanglement. Sonification—the auditory representation of data—offers a promising complementary approach to conventional visualization techniques. This paper investigates sonification methods applied to the dynamical generation of entanglement in many-qubit systems, combining phase-space representations with entanglement measures. We study the dynamics of entanglement generation in many-qubit systems under a dynamical protocol governed by two models: the one-axis twisting model and a quantum-kicked rotor exhibiting both regular and quantum chaotic behavior. We present a procedure of entanglement dynamics sonification, allowing mapping of the phase-space representation of a many-qubit quantum state and von Neumann entanglement entropy to sound. The methodology relies on the mapping of data features to amplitude, stereo spatialization, pitch, and timbral characteristics. Results illustrate how sonification translates entanglement dynamics into distinctive, model-specific sound textures, offering a route toward artistic and exploratory engagement with quantum correlations. Potential benefits for intuitive understanding remain to be tested.
Quantum mechanics presents unique hurdles for audio-visual representation, especially in conveying quantum entanglement. Sonification—the translation of data into sound—provides a complementary channel to visualize these inherently abstract phenomena. In this study, we develop and test a sonification framework for tracking dynamical entanglement generation in multi-qubit systems.Using the Husimi-Q function as a phase-space representation alongside the von Neumann entanglement entropy, we map a quantum states structure, generated during the One-Axis Twisting protocol, onto auditory parameters such as pitch, timbre, and spatialization. Our method encodes the instantaneous phasespace distribution and entanglement entropy values into distinct sonic motifs, yielding a real-time acoustic portrayal of entanglement growth and decay.Listening tests and qualitative analyses reveal that sonification accentuates subtle transitions in entanglement dynamics—especially the onset of chaos—more intuitively than visual plots alone. Our approach offers an artistic medium to experience quantum correlations, fostering deeper engagement and insight.
Recently, there has been considerable interest in "sonifying" scientific data; however, sonifying quantum processes using the newest quantum technologies, including Noise Intermediate Scale Quantum devices and quantum random number generators, is still an emerging area of research.Music technologists and composers employ the growing accessibility to diverse data from quantum mechanics as musical tools in the hope of generating new sound expressions. How different is the quantum world from the classical one, and is it possible to express the quantum world using sounds? Quantum phenomena are very different from those that we experience in our everyday lives. Thus, it is challenging to understand them intuitively. In this paper, we propose sonification as a method toward an intuitive understanding of various quantum mechanical phenomena, from Rabi oscillations and resonance fluorescence of a single atom through the generation of Schrodinger cat states in strong laser field physics to insulator-superfluid transition in quantum many-body systems. This paper illustrates various methods we experimented with in sonification and score representations of quantum data depending on the source data and performance settings.
We explore an unconventional bridge between quantum mechanical density matrices and sound by mapping elements of the density matrix and their phases to auditory signals, thus introducing a framework for Open Quantum Sonification. Employing the eigenstates of the Hamiltonian operator as a basis, each quantum state contributes a frequency proportional to its energy level. The off-diagonal terms, which encode coherence and phase relationships between energy levels, are rendered as binaural signals presented separately to the left and right ears. We illustrate this method within the context of open quantum system dynamics governed by Lindblad equations, presenting first an example of quantum Brownian motion of a particle in a thermal bath, and second, a recoherence process induced by boundary driving that results in spin-helix states. This document serves as a companion to the corresponding audio visual simulations of these models available on the YouTube channel Open Quantum Sonification with the Python Codes on GitHub. The auditory analogy presented here provides an intuitive and experiential means of describing quantum phenomena such as tunnelling, thermalisation, decoherence, and recoherence.
In this paper we describe methods for mapping the information contained in a spline model of one cycle of an audio signal to the quantum information setting. We use this mapping to describe methods of sonification of quantum algorithms which use spline models to describe and generate timbre, melody, and rhythm. We show how a musical state vector given by n B-spline coefficients, which represent one cycle of a waveform, can produce these three musical elements simultaneously. We present two modes of correspondence between quantum and musical states. The first mode is derived from proposed signal processing of quantum audio, such as QPAM (Quantum Probability Amplitude Modulation), and the second mode is more abstract, modeling the evolution of musical states through unitary evolution of intermediate states in quantum algorithms. Musical states are initialized using approximate timbres derived from instrument sam- ples or synthesized timbres. Melodic contours are derived from spline models of these timbres, using continuous pitch and duration spaces. Musical examples are discussed, and larger compositional works are currently under development.
In this paper we describe methods for mapping the information contained in a spline model of one cycle of an audio signal to the quantum information setting. We use this mapping to describe methods of sonification of quantum algorithms which use spline models to describe and generate timbre, melody, and rhythm. We show how a musical state vector given by n B-spline coefficients, which represent one cycle of a waveform, can produce these three musical elements simultaneously. We present two modes of correspondence between quantum and musical states. The first mode is derived from proposed signal processing of quantum audio, such as QPAM (Quantum Probability Amplitude Modulation), and the second mode works with superposition states achievable through quantum algorithms. Musical states are initialized using approximate timbres derived from instrument samples or synthesized timbres. Melodic contours are derived from spline models of these timbres, using continuous pitch and duration spaces. Musical examples are discussed, and larger compositional works are currently in production.