Paul Thomas
The article explores parallels between quantum evolution and developments taking place in the fine arts. Chance, uncertainty, probability, and intuition are all hallmarks of expression across the fields of both art and scientific practice. The role of the observer in art and science is explored through a comparative study between the act of fine art drawing and quantum measurement. What is meant by the role of the observer to the very act of seeing. The observer draws away a veil of inadequacy in looking for reality. The article reflects on the process of drawing’s comparative relationship the role of the observer in art and science. This role of the observer is analysed in relation to delayed choice quantum erasure, probability, indeterminacy, counterfactual definitiveness, entanglement, superposition, and the classical quantum divide, through the artist’s act of mark-making. There is a need for an attentive gaze when confronting so-called truths. Intentional repositioning and reframing of science practices through art can promote exploration of different ways of visualising, perceiving, understanding, communicating, and acting in the material world. In so doing the article describes a “quantum drawing” workshop created for art and science practitioners. The workshop is a new model for facilitating a transdisciplinary development of alternative domains and discourses that garner insights from the act of seeing and understanding. The workshop explores visual expression, material interaction and embodied practices speculating on quantum intuition, quantum computing and infinite speed. The article defines the quantisation of drawing as a tool for unpacking the role of the observer in art and science to embrace uncertainty.
•Jan 1, 2022•0 citations